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So last Tuesday I finally sat down and did some drawing with my good friends [livejournal.com profile] steerpikelet and [livejournal.com profile] cyrus_ii. They're both accomplished inkers and line-artists, and because my medium is paint and my previous collaboration experience has been limited to thick squidgy messy improvisations in paint, we didn't really feel that compatible, and I've never done art with them before. These days I'm gradually opening up - I may not have a huge amount of shared creative ground with [livejournal.com profile] steerpikelet and [livejournal.com profile] cyrus_ii, but they're very close friends, which does help. I'm still sufficiently self-conscious that I felt uncomfortable starting work while their housemate, who seems lovely but who I don't know at all, was around.

This is very much not my normal style. In future I'd be interested to split the process, with one person pencilling, one inking and another colouring, comics-style; I'm not sure that line drawing lends itself naturally to two people working on something simultaneously. They were fun, though. With [livejournal.com profile] steerpikelet I used Chinese ink and she a series of different pens, which she uses far better than I ever will; [livejournal.com profile] cyrus_ii inks a lot, so we both used that. We didn't spend particularly long on either of them - much of the evening was delightfully spent in chatting and giggling before we got round to the serious business of making pretty things. I'd really love to spend longer on something with these two, not least because their styles are both about the intricate details, and there's a limit to how intricate you can get in an hour. I'm also getting the urge to work on something big with these guys. Get some paper that covers the floor, cover it with swathes of watercolour and then work into it with layers of ink and pens, get lost in it, trace a path around the paper and spend ages immersed in different bits.

I can see far more of either of them in these two pieces than I can of me, but perhaps my own influence is invisible to me, in the same way that we can never smell the mild, distinctive smell our own house has, but guests will notice it immediately on coming through the door, and lovers will be reminded of you every time they smell it. Are all artists chameleons? When I'm collaborating I seem to adapt to my co-artist's style far more than I bring my own style to the table. But then, my own style isn't very well suited to spontaneous improvisations. Perhaps if I worked in oils with someone else it would look a lot more like one of my paintings (and, in fact, the K~nesis paintings that include oils do look a lot more like the rest of my art).



Untitled (figure)
(with Laurie Penny)
12" x 16", Chinese ink and various pens

Note: The pens probably have all sorts of cool professional-sounding names, but I'm not sure what they are because I don't know anything about pens. Ballpoint? Fibretip? There were colours and everything, it was very exciting. Laurie did all of the pen stuff. I used ink and brush.

This is quite silly and comic-book but I like her anyway. I particularly like her piercings, and the ambiguity as to how much of the decoration is tattoos/body art and how much is abstract decoration. I like how the figure is stylised as well, although I think the anatomy leaves something to be desired. I happily accept the blame for this as I think I did most of the initial blocking out and I'm terrible at doing figures from imagination. I tend towards the unrealistically skinny unless I check myself, and that bothers me. Sadly I'm not very good at drawing curves either, unless I've got something to copy. More life-drawing clearly required!




Repose
(with Andrew May)
16" x 12", Chinese ink


To my eye, this looks like an Andy-painting with some silly Helen doodles over the top, but Andy reckons I did more of the figure than I'd thought, so clearly his distinctive brush style is contagious. This is a very quick sketch but I love it. Andy's style is compelling and moody; to me this looks like an illustration of a scene from an unknown myth. Even though we were making it up as we went along and the lighting isn't accurate, I like how it looks like light is falling onto the figure through a rose window. To me, the figure looks like a mystic, spirit-walking on other paths while his body gathers dust. Or perhaps it's a male version of the Sleeping Beauty story. I don't draw male nudes very much. I should do. Men are purty.

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